Seven boxes of materials related to Helen’s life at Linfield as well as many other institutions and also her personal affairs. the collection contains letters, journals, class notes, assignment sketches, and many photos of both Helen’s work, her farm, and herself.

The archives has five oversized pieces of Helen’s artwork, photos of which are here: https://www.dropbox.com/sh/6roof0w5mz5uaqy/AACdXHuyNCMz9n15V6MuJ8x4a?dl=
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One is located in the archivist’s office, and four are stored in the archives.

A digital collection of Helen Blumenstiel’s art is available here: https://www.flickr.com/photos/155417544@N05/sets/72157687432539734/with/2352
7973118/

Materials cover Margery Stewart Hamstreet's time at Linfield College. Materials are primarily paper-based but also contain varsity letters and a cotton letterman sweater.

The collection includes photographs, articles, correspondences, and other documentation. The collection ranges from 1890 to 2012. The collections materials are all from Good Samaritan School of Nursing located in McMinnville, Oregon.

This collection contains scrapbooks, plaques, uniforms, equipment, trophies, memorabilia, and photographs. Materials range from good to excellent condition.

Amongst the memorabilia and ephemera of the Linfield Upward Bound Collection, there are significant numbers of candid photos and slides documenting the 42-year history of the grant-run program at the Linfield campus. Because this program was federally run and supported, there are numerous grant application materials and fact- books pertaining to intricacies of federal TRIO program policies. This collection also contains examples of student work, articles documenting Upward Bound successes and scrapbooks compiled during the Upward Bound program’s presence at the Linfield campus.

The collection contains papers, photographs, mimeograph sheets, transparencies, inventory cards, guestbooks, notebooks, films, pamphlets, programs, equipment, and other ephemera relating to the founding and operation of Linfield Research Institute. It also contains awards given to director Walter Dyke, as well as scientific equipment used at the Institute.

This collection contains publications, photographs and documents pertaining to the Winegrowers Council of Oregon, as well as event information from the period Fred and Mary Benoit owned Chateau Benoit (1979-1999). Some of the publications include: The Oregon Wine Publication, The Tendril, NW Wine Almanac, various books, handbooks, and more. These publications range from the years 1970 to 1999. There are numerous documents relating to different events Chateau Benoit put on, attended, or at which Fred and Mary Benoit were guests. There are also many publications and documents from the Benoits/ time as members in the Wine Growers Association.

This collection contains magazine clippings as well as several issues of wine periodicals. The bulk of the content is auction material. This includes photographs, auction items, and guides. The photographs contain images of both the silent and live auctions, mainly from the mid- to late-1990s. There are many photos of the auction baskets as well as the guides, which contain information about each wine that was auctioned that specific year. The auction items include wine glasses, guest gifts and other similar items. The rest of
the material is primarily publicity items that have either been published by ¡Salud! or articles that have been written about the organization.

This collection contains a limited, insider’s perspective of Senator Winters’ multiple terms in the legislature, as well as selected windows into her pre-legislative work and personal life. The bulk of the collection is made up of legislative records, which provide a glimpse of the inner workings of the legislative process. The correspondence, primarily from fellow legislators and constituents, as well as extensive press items, also provide contemporary context for Winters’ work and time in the state legislature. Additionally, the select materials regarding Winters’ pre-legislative work, especially the scrapbooks of photographs, correspondence, and press from the 1970s–1980s, emphasize the main areas of professional focus for Winters during that period. The limited pieces of personal documentation supplement these professional records to provide a more comprehensive picture of Winters, her professional efforts, and her personal interests.